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The Symphony No. 39 is a symphony in G minor (Hoboken 1/39) by Joseph Haydn in 1765. It is the earliest of Haydn's minor key symphonies associated with his ''Sturm und Drang'' period works (such as the ''Symphony No. 45''). The work was influential and inspired later G minor symphonies by Johann Christian Bach (Op. 6, No. 6) and Wolfgang Amadeus Mozart (No. 25).〔HC Robbins Landon, Haydn: Chronicle and Works, 5 vols, (Bloomington and London: Indiana University Press, 1976-) v. 2, Haydn at Eszterhaza, 1766-1790〕 ==Movements== It is written for an orchestra consisting of two oboes, four horns (two in B-flat alto and two in G), and strings (violins divided into two, violas, cellos and double basses).〔HC Robbins Landon, Haydn: Chronicle and Works, 5 vols, (Bloomington and London: Indiana University Press, 1976-) v. 2, Haydn at Eszterhaza, 1766-1790〕 There are four movements: #Allegro assai, 4/4 #Andante, 3/8 in E flat major #Menuet, 3/4 #Finale: Allegro di molto, 4/4 File:Haydn-39-1-theme.png The opening movement features a nervously exciting main theme with interrupted by frequent pauses. Both the first and second theme groups begin with the same two bars of melodic material.〔Brown, A. Peter, ''The Symphonic Repertoire'' (Volume 2). Indiana University Press (ISBN 025333487X), pp. 104-108 (2002).〕 In contrast to the Sturm und Drang of the opening movement, A. P. Brown describes the Andante as "one of Haydn most ''galant'' slow movements, with its small meter signature, sixteenth tripets, slides, weak resolutions, echoes, and generally thin texture".〔 The minor mode returns for the Minuet which is contrasted by a bright major-mode Trio which features high notes for the first horn.〔 The frenetic Sturm und Drang finale brings the symphony to an energetic conclusion. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Symphony No. 39 (Haydn)」の詳細全文を読む スポンサード リンク
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